Vidya Suresh- An artist who communicate through emotions

INTRODUCTION

This is a peer reviewed featured artist of excellence from Smule India Community. Thanks to Sangeetha Rajesh and Karthik Jayaraman for the strong endorsements of the singer. Vidya is the most unassuming singer one may come across, who sings phenomenal some of the toughest songs from Bollywood classics; yet as a person is down to earth and she recognizes all her peers at such great appreciation. The true evidence of a great artist. It gives such immense pleasure writing this feature to bring to you all her fantastic music on Smule profile. Vidya who can easily speak in many languages and is a seasoned musician with excellent qualities to her singing. A singer who spent hours perfecting her singing, and a person of few words says her music speaks for itself. Here is a short account of her music, likings and viewpoints.

Vidya Suresh

“I am Vidya Suresh from Hyderabad. I am a medical writer and a mother of two beautiful kids. I have spent most of my lifetime in Nagpur and my parents hail from Palakkad, Kerala.- so yes, I sing Hindi, Tamil, Malayalam and very few Marathi songs; however, I am most comfortable singing Hindi songs.”

She sits with us to describe her early days of music “ I had a pretty humble start with my music learnings. Like many other stories written here my story is also not very different . She says “I started my music listening to music on tape recorders and tapes of Hindi music played by mom. She says I was very attracted and started singing naturally to the music. Now also I am a great listener and also try really hard to learn a song. Usually it takes so many takes before I finally kind of satisfied with one song. But later when I played back I still felt there were so many imperfections. I am a singer who yearns for that perfection in a song with all the details that a music director intended to be presented.” 

So you are telling me that music is very natural to you, and you took that with you no matter what stages of life you went through. What is that same music to you today?

Music is like a language for me. The “Bhavam” in a  song is what I am always in search of; for that expression of each song that is interwoven in the lyrics and raagam and the expressions. I am practicing all notes to perfect it, but I am still putting all that concentration to bring the right bhavam across. I am satisfied with a song when that communication between the singer and listener is achieved. If I feel even slightly that I can’t achieve this, I keep trying to get it across. You can see, my profile has only very few songs totally sung. I sing and post only when I feel that it conveys that emotion across my listener what that song is intended for. “

Are you a socially committed artist? What I mean by that is do you stand for use of an artist talent to benefit for a cause say child abuse etc., that may be a cause that you want to stand for?

“Yes, of course. If an artist stands for a cause if that musician’s fame or talent can benefit for a cause it can be used for strengthening the stand on that or in other words as an artist I will stand for the causes I care about . No questions about that.”

What does your present music mean to you?

It gives me immense happiness, and it makes me roll through tough times and makes it all feel like I can get through this easily.”

Briefly tell us about your musical journey so far

Music has always been an integral part of life; though I have never taken up music professionally. I have learnt some Hindustani classical music from my teacher Mrs. Chandra Banerjee; however, I was always inclined to light music. She did recognize this interest and taught me many ghazals, semi classical hindi film songs, bhajans etc. During my school days, I have participated in many local (within Nagpur) competitions.

I have participated in reality shows like Zee Saregamapa (2005) and Star voice of India (2007) and have had a good opportunity to meet with amazing singers like Toshi Sabri, Debojit Saha, and Ujjaini Mukherjee. Though I did not go too far in these shows; this was the first time I got an opportunity to meet people who eat- sleep- breathe music- super inspiring it was.

During my college days, I have done quite some musical programs in and around Nagpur for some time. I also used to be a part of Sai Bhajan programs during my post grad days in Delhi.

Your earliest memories of your interactions with music as a child

My mom always said that even as a baby, songs always invoked the emotion in me- especially-‘ Ek pyaar ka nagma hai’ even as a kid she says I used to look kind of emotional listening to it- (I still get choked up listening to this song).

My earliest memory of having sung for an audience (the kids in my school bus) is when I was probably 5 -6 years old. The biggest fan then was my bus driver (Khan uncle we called him) and the song Ek do teen (from the movie Tezaab) was my most popular song.

Every singer has that one song which they prefer singing in any competition. My standard song was Bole Re papihara from the movie Guddi. This song has helped me win many accolades.

Who influenced you the most as a child as far as your music interests and talents

Though there are no well-known classical singers in my family; all my relatives, especially on my Mom’s side, are decent singers and have a good ear for music. My mom wanted to take up music but couldn’t. I was such a lazy bone, but she was so driven- whatever little I have done in music- I completely owe it to her.

Classical music expertise:

As i said earlier, I had learnt some Hindustani music from Smt Chandra Banerjee; she was my music teacher in school. She has always understood my pros and cons as a singer and has a great role in molding my singing- especially for fine tuning of the harkats and bringing out the right bhaav. I had stopped learning classical music and now, after 10 long years, I have finally started learning music from her again.

I have also had an opportunity to learn music from Smt Sandhya Deshmukh. Along with Hindustani music, she also taught me Sai bhajans and gave me the opportunity to sing with her in many bhajan programs. 

Classical music and its relevance in the current time 

Having a decent grasp of sur and tal- is the basic qualification of a singer. Learning classical music and semi classical forms like- bhajans, thumri, ghazals definitely helps you understand the nuances of sur, taal, lay, and bhaav. Many people think classical music to be a set of harkats/ sangathis – that’s not true- classical music- be it Hindustani, Carnatic or even western helps one to be able to sing any kind of song( remember the scene from the movie Sankarabharanam J).

What exactly does your music mean to you?

Music is a way to express yourself; pour out your feelings- be it love, happiness, sadness.

Your thoughts about Tamil Malayalam and Hindi songs

Since childhood, I have listened Tamil, Hindi and Malayalam songs. My dad is a big fan of late legendary SPB and Ilayaraja and my mom listened to a lot of old Malayalam songs. I, on the other hand, always enjoyed listening to Shankar Jaikishan, Madan Mohan and SD, RD Burman music. I feel that the quality of music especially in Hindi and tamil movies albums has deteriorated (such a cliché na). However, there are still some amazing music directors whom I love listening to. My favorites present day composers are – Shankar Ehsaan Loy, Salim Suleiman,AR Rahman etc. 

Do you think there is gender discrimination or any such inequalities exist in the music industry?

As far as my experience goes, I don’t think there are any gender inequalities in the music industry. There are so many amazing singers in India. I think 1 in 4 people sings well. We are just small fishes in a huge pool of singing talent. These days I believe there is a lot less monopoly in the music industry and many singers are getting opportunities to sing. 

To really have a career in music, one really has to be the creamiest of the singing lot, extremely passionate, dedicated and highly driven (meaning one should grab every possible opportunity to display their talent, have an amazing network – well that’s true for any career choice though)

Do you pay attention to the lyrics and meaning of songs? Do you think they are important for music? If yes then why?

Well, when I listen to ghazals and bhajans, I really feel that lyrics are everything; lyrics from the essence of such song formats. However, when I listen to instrumentals say, flute by Ronu Mazumdar Ji, Violin by Subramanian sir- I think music needs no words. The instrumental notations are strong enough to create a meaning.

What career ambitions you have in music. Then how are you planning to achieve it?

Though I would love to be a singer, frankly, I have never actively sought a career in music. I love singing; it never tires me. Singing makes me feel calm, happy, positive, and connected to the divine. I joined Smule during the lockdown period, I never thought the experience would be so great. Collaborating with amazing singers like Karthik Krishna Jayaram, Jay Krishnan, Rahul Mars and TN Arunagiri is no less than a blessing I would say. Listening to this awesome talent pool of smule has really rekindled the drive to sing my heart out.

Where do you see yourself five years from now in your music?

Not expecting to have a career in music, unless a miracle happens (J)

Now it is time to list all your favorites in music (you may go with languages etc) 

Classical play back singers music directors etc 

Of course Asha Ji,  Lataji  are no less than goddesses for me. There are so many singers whom I adore- Chitramma, Shreya Ghoshal, Sunidhi Chauhan, Shwetha Menon, Shankar Mahadevan, Sonu Nigam, Vijay Prakash. My present day favorite is Kaushiki Chakraborty Ji. Uff, she is class apart. 

Aayiram Kannumai self group collab

Aaj jaane ki zidd na karo with TN Arunagiri

Payaliya jhankar and jivalaga(marathi) fusion with Karthik krishna Jayaram

Yamuna Veruthe- Malayalam song with Rahul Mars

ENDNOTES

Like Vidya said in her initial part of the interview, her music is a language that she uses to communicate with her listeners. The emotions and the rasa of each song she brought to us today told exactly that. When a musician’s music speaks volumes than our words, it makes it hundred times easier for us to write this. With an underline and capitals, Vidya’s music is exactly what she says it is. Her songs told us in a language of bhavas, that she is an artist with great understanding of what music stands for. Without any doubt Vidya’s profile is among few of the outstanding ones that we presented here. Please visit her profile at this link here and follow her and encourage her. Wishing her all the best in the future.

Poornima Sekar- A singing of highest caliber

INTRODUCTION

This is a peer reviewed long time waiting feature, and a superb talent on Smule. Thanks to our esteemed peers for their endorsements. This feature had been delayed more than a  year time to materialize.  Happy to feature some strong women singers in preparation for celebrations on the upcoming month of March, Women’s history celebrations and International Women’s day on March 8th of this year. During this process of writing features on great talented singers from Smule, one outstanding theme is that we had the pleasure to tell the stories of some outstanding strong women singers from Smule India. Poornima is no different, very talented, highly coherent in her approach to singing with very clear thoughts and highest intelligence displayed throughout.

Poornima Sekar

Please introduce yourself briefly with special references to your music

I am Poornima Sekar from Bangalore, India. I am a software engineer by profession, singer and storyteller by passion. I am a Tamilian brought up in Thiruvananthapuram Kerala, now settled in Bangalore. Living in different states has given me an opportunity to be multilingual and exposure to a lot of different language songs in Tamil, Malayalam and Kannada. From my school days I was also fascinated by Hindustani Classical music and Ghazals. My parents are settled in Thiruvananthapuram. I have one younger brother who is based out of Cochin, Kerala. I am currently settled in Bangalore with my Husband – Karthik, who also is a software engineer, with our two daughters Harshini, Janani and my in-laws.

Please walk us through your childhood and all details of your earliest interactions with music

“My inclination towards music started at around age five, when I used to sing songs that I listened to from ‘then’ tape recorders. My parents were hardcore film music lovers.  We used to have the entire collection of the Maestro Ilayaraja’s songs and the legends of the yesteryear Viswanathan and Ramamoorthy‘s songs. I was introduced to semi classical music by my maternal grandmother and aunt, who used to sing lot of Soolamangalam sisters songs. Being born into a family with no classical music background, I owe my Carnatic musical journey entirely to the “Land of Anantha Padmanabhan” – Thiruvananthapuram, which opened up immense opportunities to learn and showcase Carnatic music – be it gurus or platforms to perform. Though, I had to switch between multiple gurus, my strong foundation in music was laid by my Guru Smt – Sudha Easwaran, Later on I was groomed by Vidushi late Smt Sharada Kalyanasundaram who prepared me for my arangetram (the very first performance on a stage). I was fortunate enough to accompany her in multiple musical kutcheris (concerts) and TV shows. I fondly remember the time I performed during the functions in the local Vinayaka temple, where I used to get a lot of encouragement from members of the community.”

“ I must also say that my school as well played a very important role in my musical journey. It was at my school that I got introduced to Bhajans and padhyam chollal (poetry recitation in Malayalam).”

A line of Illustrious music gurus guidance

“Apart from the formal Gurus, I was blessed to have several family friends who have helped me go to the next level in music. One such person is Prof. Rama Sarma who provided introductions to a lot of musical veterans by sharing their records and encouraged me to learn new songs. He would also take me for sangeetha kutcheris in the city. He would urge me to guess the ragas and attempt manodharma, swaras and aalaaps. It was again through Sarma Sir I was fortunate to Ajith Namboodiri, who himself is a renowned musician who also was a great source of encouragement for my music. I fondly remember the music room sessions that we used to have in Sarma Sir’s home with talented musicians like Ajith chettan. It was Ajith Chettan who referred me to AIR for my first Carnatic performance. He also gave me a chance in the Carnatic raga based program called Ragolsavam’ that was aired on Kairali TV.”

Other mahaanubhaavas (as I like to mention them) were a Sanskrit Scholar, a teacher of mine who taught me Bhagavad Gita and small slokas and there was also Mrs Parvathy Suryanarayanam (Baby mami as we fondly call her), who used to give Tamil programs in AIR, who gave me lots of chances to sing Tamil songs at AIR.

After several years gap, I have now got back to my Carnatic music classes with Vidushi Sudha Easwaran whom I met again through Facebook.

Who influenced you the most as a child as far as your music interests and talents?

“It is hard to specify one; yet It is my parents, school, all my gurus and the opportunities that were widely available in the city.”

Please take us through Schools colleges etc activities major music achievements etc

My musical journey started at the age of seven when my mother taught me “chethi mandaram thulasi” for a school program. From there the teachers took over, I was made part of the school music group and represented my school in inter school competitions. The school had a great support team for music at an extracurricular level. I was also introduced to group bhajans, gita chanting and akshara slokam in the school. Apart from the training in the school, I was trained by my music teacher Vidushi late smt Sarada Kalyanasundaram in carnatic music and encouraged me to participate in music competitions that were held outside the school (like Rotary club, Kerala Tamizh Sangam, etc). I have around 120 certificates for various music competitions.”

“I fondly remember the song that Sarada mami taught me “Mamava Meenakshi” in the raga “Varali” it is one of those heavy ragas that took time for me to master. But once it was perfected, it was a sure short prize winner in the competitions. I have participated in various other musical competitions like light music, malayalam recitation, group music (representing the school), group bhajans etc conducted by different organizations and also the school kalolsavam conducted by the state government of Kerala in Thiruvananthapuram. These competitions were nothing less than festivals in itself. It used to take the whole day with multiple events being conducted across different categories, followed by the prize distribution late in the evening. The participants shared a good rapport and we used to spend the time getting to know each other. So were the parents who accompanied the kids. They used to discuss gurus, upcoming events, how to take care of the throat and many such topics. A big shout out to my mother who tirelessly accompanied me for all these competitions.”

I was fortunate enough to share the stage with the now famous malayalam playback singers like Vidhu Prathap and Akhila Anand during these competitions. From my 10th class onwards, it was a huge gap in my musical journey. Music then became an occasional stress buster. Restarted my passion three years back again when I met my guru Vidushi smt. Sudha Easwaran in FB. I am continuing my carnatic classes online now.

Smule brought back the lost touch

Somewhere between the break from my music from college to now that I got introduced to Smule. Initially tried a few solos and then slowly started singing collabs and group collabs. It is a great platform for developing our singing skills. Initially was hesitant to sing high pitched songs. Singing in Smule, once a mere stress reliever, slowly became my go to tool for trying out different genres and singing styles.  Though I have been in smule for around 4 years, I am a seasonal smuler. I am totally amazed at the talent pool here in smule.

I want to take this opportunity to thank my family – husband, kids and in-laws for supporting me in continuing my passion apart from my job.Sometimes the support is so huge that my daughter once said “Appa can you help me with my stuff as amma is busy singing in Smule.”  

Describe all your Classical music expertise and detailed descriptions of your Gurus etc.  

I have learned south Indian Carnatic music for close to 10 years. The journey started when I was in my second grade. Though, I had to switch between multiple gurus, my foundation in music was laid by Guru Vidushi Smt.Sudha Easwaran, from whom I learnt my initial lessons and a few varnams and keerthanams. My personal favorites from Sudha Akka’s teaching is a varnas “Entho prematho” in Surutti raagam and Muthuswamy Deekshithar’s Navagraha keerthanamAnkaarakam Aashrayamyaham” in the same raga.

After my teacher had relocated to chennai post her marriage, I started learning from Vidushi late smt.Sarada Kalyanasundaram (Mother of Vidwan Kalaimaamani  Dr. K. Krishnakumar and Mother-in-law of “rara” fame Vidushi Kalaimaamani Smt.Binni Krishnakumar). She was the one who prepared me for my arangetram and was instrumental in giving me opportunities in AIR and many smaller kutcheris along with her. I was accompanying her for a musical program series on ragas which was aired in Asianet’s morning program “Suprabhatham”. Sarada Mami (as we fondly call her) was an expert in Oothukkadu Venkata Subbaiyyar’s compositions.I have learnt lots of Oothukkadu songs from her which I treasure. She had also taught me heavy compositions like Swathi Thirunal Maharaja’s Navaratri kritis, Thyagaraja Swamigal’s Pancharatna kritis. My personal favourites from Sarada mami’s teaching are Neela vanam thanil (Oothukkadu kriti – Punnagavarali), Mamava meenakshi (Muthuswamy Dikshithar kriti – Varali)”

How does the transition from Classical music singing to pop music to playback happen? If so, what influences?

I always admired and learned semi classical and light music right from my school days. I was heavily influenced by 80s and 90s music from Tamil, Malayalam and Hindi. However, I did not get too many opportunities to sing those on stage. I just kept singing movie songs/pop songs with friends during school and college functions. However, I remember this one instance when I was ten years old, when I got an opportunity to sing in front of a fully packed Swathi Thirumal Sangeetha Sabha auditorium at Thiruvananthapuram. One of the famous light music troupe from Chennai was performing. Since one of my well wishers knew the troupe members personally, I was given a chance to sing – I sang the tamil song “Kanmani Anbodu kadhalan” from the movie “Guna“. This was my first experience singing a movie song on stage.

To be frank, It was in smule that I started experimenting western, hindustani classical and light music, high pitch and low pitch and different genres.

What exactly does your music mean to you?

Music is an awesome stress buster, my goto thing for any occasion. In short, music is an integral part of my life. 

Your views about the general landscape of India’s classical music?

Indian music is as vast as its landscape. Apart from the major classification of music like Hindustani and Carnatic music, India is home to numerous forms of native music across the country. 

Your thoughts about popular music or film music or generally about Tamil regional music?

Film music is so versatile, this serves as a starting point for introducing varied forms and genres of music to layman. This is true with most languages. Tamil music in particular, There has been tremendous transition from the hardcore Carnatic based film music in 50’s to the lighter versions or mellisai introduced by mellisai mannargal to the beautiful blend of folk, western and Carnatic by Ilayaraja to the trending ganaa songs by Deva sir, to soothing melodies by Vidyasagar sir to the introduction of world music with varied voices and instruments by AR Rahman and the list goes on.

World music and other language music of India.

I was introduced to multiple languages through Smule. I don’t have much of an exposure to world music, But love listening to Mozart’s and Beethoven’s symphonies, Arabic music and a bit of western pop.         

Social responsibility for an Artist, what do you think about it?

Social responsibility is necessary for any individual, especially artists whom people look up to. In my opinion, I would like to revive and help a lot of native arts and artists who are less known. 

If you are a socially responsible artist will you take a stand if you can influence the decisions taken at political or other levels?

Yes I would, as long as it is relevant and related to music.

Do you pay attention to the lyrics and meaning of songs? Do you think they are important for music? If yes then why?

 Yes, knowing the meaning of the song makes the singing more enjoyable. Bringing out emotion is one of the biggest factors in making a song appealing, and this can be achieved only if we understand the lyrics and its meaning.

What career ambitions you have in music. Then how are you planning to achieve it?

Although sounds cliché, music is like an ocean. There is a lot to learn and explore, I love singing and would like to learn and explore as much as I can. At this point, I haven’t thought of a serious career out of music. But would really work towards it.

Where do you see yourself in five years from now in your music?

I have a fixed plan as far as Carnatic music is concerned. I would love to prepare myself for doing a full-fledged kutcheri (concert) with manodharma swaras and ragas. I also want to integrate singing shlokas with their meanings and Indian folk music(in native indian languages) in the format of storytelling (trying to leverage my storytelling skills here). 

Do you think it is possible in this time one can take classical music as a main career and survive?

” Yes, I think so. Though there are many established musicians out there, It is merely up to us to explore and innovate it in the best possible ways to stay relevant.”

What issues exist as far as you understand challenges as a woman in any profession, if you want to take music as a profession.

 I do not think there is any specific challenge that exists as such. A good support structure in the form of family should be sufficient to achieve what we need. I think this holds good for all genders. 

What is your opinion about a family life and pressures of womanhood and any special challenges?

Family life acts as a support to us to achieve our goals. I do not see much difference in my family life both as a working woman and as a housewife. All we need is a disciplined lifestyle which will help you achieve all that you need. 

Now it is time to list all your favorites in music

1) Carnatic male / female – Ranjani/Gayathri, Sikkil Gurucharan

 2) Playback – KS Chithra, SPB

3) Music directors- Ilayaraja Sir, AR Rahman Sir, johnson master and Raveendran master

4) which Genre of music – Carnatic classical music

Do you do any sports? If so which one? if not what other hobbies you have?

I like playing badminton and carroms, though I am not much into sports.

Is there anything we missed to ask you, that you want to tell us about, this is your chance

Yes, My journey on storytelling! This is a recent passion that I had developed apart from music. Bangalore is one such metropolitan city which is home to various contemporary art forms like modern theatre, music, dance and so on. While having a casual discussion on this with my colleagues, I came to know about an organization called KATHALAYA which offers internationally certified courses on Storytelling. Just out of curiosity I enrolled for their storytelling workshop conducted during November 2019 in Bangalore. Never knew there was so much to “storytelling”. Kathalaya and Geetha Ramanujam Ma’am – who is a doyen in storytelling, introduced me to various facets of storytelling like – Story telling with music, Storytelling with Dance, Storytelling with puppets and props, Storytelling with theatre elements to it…It is from here that I developed an interest in puppetry and ventriloquism and these along with music remain my favourite story telling aids that i use in my story telling sessions:). I also dabble with art – drawing and painting at times.

It is now time to listen to this awesome songs Poornima Prepared for the feature and some of them she picked from her Smule profile.

Malargal Ketten

Marghazhi Poove

ENDNOTES

When we are running towards the finish line and taking these few final steps to finish this esteemed line of singers from Smule, Poornima’s place here is a significant one. She is one of the finest musicians that we have come across with a lot of musical experience working alongside many prominent musicians. Poornima had a very active past in the music field and currently all the rejuvenated activities in music have made it a compelling case to present her along with some of the outstanding profiles from the India community singers. Please visit Poornima at her Smule profile and follow her and encourage this enormous talent that needs some recognition. 

Kiran Anand- A multitalented Artist of excellence

Introduction

A long delayed feature, No excuses could explain, so a big apology to Kiran from the team and a great friend to the blog site and its efforts. Thanks for the great support through this process. A superb singing talent and excellent profile with lots of great singing on Kiran’s Smule profile make it a very compelling reason to bring this great singer to our pages.

Kiran Anand

Kiran Kakkad is an Ayurvedic Doctor practicing Indian medicine in the great city of Moscow, Russia. Kiran Anand Kakkad is his full name. He is originally from Guruvayoor, a beautiful pilgrimage town in the State of Kerala. A town known for centuries-old, red-roofed Guruvayur Temple, where Hindu devotees make offerings of fruit, spices or coins, often equivalent to their own weight. Growing up around this temple town has a  huge influence on Kiran’s interests and the ways of life. Very early itself Kiran had been fortunate to learn classical music. From age six he had been practicing Mridangam (an eastern drum, a big part of south India’s Carnatic music concerts). Kiran who belongs to one of the hereditary priest families of Sri. Guruvayoorappan temple told us more about many traditions and lifestyles he was accustomed to. Kiran belongs to a Kakkattu Mana (a word indicating a group of family of distinction) who performed temple rituals (Othikans – this a traditional Namboodiri cast who performed rituals at the temple). A young Kiran grew up pretty much in a place where poetry and music was a big part. He says his mom loved to write poetry and a sister was a dancer. A young Kiran who saw his mom and sister involved in Arts got very attracted.

Kiran says “I loved poetry and draw pictures very early in my life itself.” A young age went with a lot of arts and music around and unknowingly or not absorbed a lot of Temple related music and arts images in his mind. Kiran’s Schooling was at Guruvayoor Devaswom English medium school. During schooling Kiran showed his excellence in arts by being at the Kerala state Arts Festivals through several years; which is not a small feat to achieve. He won the coveted and highly competed STATE KALAPRATIBHA honor for years in a row (during 1997-1998 1998-99) and at other local arts festivals like SAHODAYA KALAPRATIBHA – 2001,02,03 also this young boy was a winner always. Kiran showed excellence in music, mrudangam, poetry recitation, painting and athletics.

Kiran is highly experimental as far as music and instruments and here is one of his interests in a foreign instruments.

A prominent Career as Ayurveda Ambassador Abroad

Kiran went on to take a Bachelor degree in Ayurvedic Medicine. At college his arts initiatives in Arts were still on with friends. At that level itself Kiran produced couple of album music. Kiran is an Ayurvedic physician graduated from one of the prestigious institutions Arya Vaidya Pharmacy. After graduation he worked in D.V.M Hospital in Mala ‌ where he practised Rasa shastra under the guidance of Dr. Gireesh Krishnan. This eventually led to raising his platform to one of the reputed companies named Dhathri Ayurveda. Soon afterwards his expanding expertise in Panchakarma allowed him to take such cases more. In addition to being a Panchakarma expert he can also do music therapy.  Kiran had conducted and participated in various seminars regarding special treatment methodologies in panchakarma, music therapy and ayurvedic diet. For past three and half years Kiran has been working in Kerala Center for Ayurveda and Yoga in Moscow; doing Ayurvedic consultations, Panchakarma, seminars propagating Ayurveda and Music therapy. Kiran’s mother’s uncle Sri. C. T. Madhavan Namboodiripad was a great vaidyan (equivalent to a English medical doctor). Kiran took this as his profession as well. He is also an expertise in the field of Pooja,Mantra and Rig Veda.He had attended many workshops regarding the musical rendering of Vedic rhymes and had won the title of  Veda pareeksha-in “ANYONYAM” -Program conducted in Kadavallur Sree Rama temple.He had also participated in Sanskrit workshops.

Guru Pranam

Kiran is a modern day youngster who has embraced a lot of traditions that he imbibed from his elders and gurus. He wanted to pay his due respect to all of them by naming each of those here in his feature.

His guru in Rigveda: Brahmasree  Naaraayana Mangalath Agnishaman Namboodiri

Gurus in vocal: Smt.Lekha Krishnakumar,Sri.Edamana Vasudevan Namboodiri, Sri.V.R.Dileep Kumar

Gurus in mridangam:Late Sri.S.A.Ramakrishnan & Sri.Sanoj Poongad

He has done Guruvayoorappa devotional album named ‘MALARNIVEDYAM’ with his friend Sri. Raghunath. V. P. Lyrics-Sri. Raghunath.V. P.  and Smt. Sarada Anandan (mother)

Music:Kiran Anand Sung by leading playback singers: Sri. P. Jayachandran, Sri. Madhu Balakrishnan, Smt. Gayathri and Smt. Jayasree Kiran  has also sung in various albums mainly under his family friend and music director Sri. Sudeep Palanad.

Kiran’s attempt to produce an independent music and its promo is here.

Kiran and his wife Manasi (also an Ayurvedic doctor, singer and dancer) released an album regarding Mantras in Moscow. Please watch them on their Youtube channel HARTT Duos-Health, Art,Travel & Tech. They are known as MusiK Duos. Please find their page also at their Facebook page under the same name.

There is nothing more important than his Smule profile that allowed to take a place in these features. So here are a few selected songs from his profile.

Manasa Nilayil with Binitha Balan

Hrydayathin Madhupathram

Arikil nee undayirunnenkil

Vellai pura ondru

Surmayee Ankhiyon Mein

Unnale Ennalum

Pranasakhi Njan

Ishal then kanam

Uruguthey Maruguthey

His poetry performances from reality show Mampazham on Kairali TV

A multitalented Kiran also sent us some of his pencil caricatures of Hindu gods. The art is very much influenced by the artists growing up and is very evident in these pictures. Here are few samples.

 

Endnotes

When getting ready with the preparations to write this out, the enthusiasm coming from Kiran was outstanding. He is an ardent lover of arts and music and had multiple sides of his talent to showcase. Hope we were able to bring a sliver of Kiran’s talent to you all. Kiran’s music is as compelling as his other talents and make a great case to be included in the line of featured singers on these pages. Please visit Kiran’s Smule handle here to listen to more of his songs.

Sriram Balakrishnan-A Reawakening of Music

Introduction

A long delayed feature, we are happy to have SriRam to be a part of this line of featured singers from Smule India community. Sri Ram is a singer of very fine qualities. His ability to change from a low scale to very high without much effort is a very rare quality that we came across while doing this series. His profile is a melting pot of many of his active singing life in Mumbai where he is connected to few of the Smuleans where he finds a great place to collaborate with. He is a very busy dad and does not have a lot of time to spare to be a lot active on Smule. Yet, his profile is distinct with carefully made collabs and we are proud to present him as this week’s featured artist. Here is a short description of his music and interests.

This article is simultaneously published on our new site and please visit the page. https://allmusicconsidered226556912.wordpress.com/2021/02/20/sriram-b/

I am Sriram Balakrishnan, Smule ID @Sri_Ram_08  born to Shanthi Balakrishnan & Balakrishnan Ramamurti in the silk city (Kanchipuram). I was brought up in Bombay (Now Mumbai). My mom was trained in Carnatic singing for almost fifteen years before her marriage, but could not continue it when she moved to Bombay. Her guidance in my early training is instrumental in my musical journey.

Early music life of Sri Ram

Born in a traditional Tamil Brahmin family, I used to listen to a lot of bhajans and stotras every morning and then would listen to my mom sing them while doing her regular household chores. As a kid, I was introduced to music early in my life from my  mom. My love for instruments took precedence in that period and not sure why I decided to learn Violin. My brother Shankar Balakrishnan (he is also on Smule his ID is Shankarb82) took Carnatic vocal training. I learnt violin for about four years, whereas my brother completed the nine years of vocal training. Both of us quit music learning when we reached our 10th grade. Another huge effect on my bringing up in our family is religion and beliefs. As Satya Sai devotees, I attended Bal Vikas classes, where I got to learn a lot of Slokas and bhajans and used to paricipated in group singing whenever I attended bhajan sessions.

A tryst of destiny with Vocal singing and Ghazals

The first time I took interest in singing was when we (mom and me) were preparing my brother for a semi classical singing competition. We decided he should sing a ghazal for the competition and that is when we bought our first ghazal cassette. It was Hariji’s ghazal album “Gulfam”. From those days on, I was so attracted towards ghazals that I used to listen to Ghazals a lot. During my teens and early 20’s when kids would listen to Hollywood/ Bollywood songs, I would just engross myself in Ghazals. Loved listening to Ghazals of Hariji, Jagjit Singhji, Ghulam Ali Sahab, Mehndi Hasan etc. I spent a lot of time singing in the Bathroom. One could call me a professional bathroom singer. 

Out of India for Studies

Post completing my graduation I went to Australia for higher studies. After finishing studies, I returned to India and started working. For a period of ten years or so there was hardly any new music in my life and was pretty much restricted to songs I had listened to in my earlier days and would sing them during social gatherings if requested.

Introduction to Smule

In Mumbai, I was a member at Dadar Club (Gymkhana) where we have a lot of karaoke and music sessions and I started actively participating in them. During those sessions, I fell in love with the old classics 50s to 70s Bollywood songs and wanted to learn them so that I could sing songs which appealed to the crowd. One of my brother’s friends, another Sriram who himself is a professional flutist, suggested that I must try Smule. Once I started using the app, I just realized the amount of talent on Smule and I just got addicted to Smule. I felt I needed to improve my vocal skills and joined Sagota Music Academy (for Bollywood song singing classes) about a year back. Within a few months, I realized that I needed to do more practices and decided to join Hindustani Classical vocal course with Suresh Wadkar’s Ajivasan Music Academy. My friends and followers on Smule have been very encouraging and supportive and this has really kept me going and now I’m taking every effort to learn more and improve my singing abilities. Smule has brought my ghazal days back and I hope one day soon I will get back to singing ghazals.

Friends on Smule is a world to Sriram– Formation of music group Moksh

I also met some talented singers on Smule who are from Mumbai and we have formed a group called Moksh (it’s more like extended family now) and we have done four shows so far and hoping to do a lot more. The Smule IDs of the members of the group are BalakrishnanB28 (Bala), Paushali (Paushali Sahu),(both are featured artists in this series), JaidevIyer (JD), KavithaJay20  (Kavitha Jayaram), RanjiniSrijesh (Ranjini), Sachhin (Sachin Nadkarni), SarahVineethJohn (Sarah), shankarb82 (My brother Shankar) and Viji_Srikant (Viji).

Before I stop, I would like to thank all my gurus starting with my Mom, Gomathy Mami (Violin teacher), Shagrieka & Sagota Chakrbarty (Teachers from Sagota Music Academy) & Gowri Shankar sir from Ajivasan Music Academy. I would also like to thank my wife Sandhya & son Avyukt for being so supportive and giving me time and space for my singing. My brother has also been very helpful and provides me guidance from time to time. 

Favorite list time 

Mohd Rafi, Kishore Kumar, Manna Dey, Hariharan, Jagjit Singh, Suresh Wadkar, Shankar Mahadevan, Sonu Nigam, Arijit Singh, KJY & SPB

Female Singers

Lata Mangeshkar, Asha Bhosale, Chitra, Shreya Ghoshal, Sunidhi Chauhan & Kavitha Krishnamurthy

Music Directors

SD Burman,, RD Burman, Shankar Jaikishan, ARR, Ilayaraja

Songs 

Hai Rama

https://www.smule.com/recording/hariharan-hai-rama-ye-kya-hua-rangeela/2479693808_3886598008?channel=Copy-Link

Maula Mere Lele Meri Jaan

https://www.smule.com/recording/salim-merchant-krishna-beura-maula-mere-le-le-meri-jaan-maula-mere-lele-meri-jaan-teeja-tera-rang-th/1971376826_3883174775?channel=Copy-Link

Tum jo aaye zindagi mein Baat ban gayi

https://www.smule.com/recording/vocal-free-hd-track-full-tum-jo-aaye-zindagi-mein-baat-ban-gayi/1497043664_3883027381?channel=Copy-Link

Naan Paadum Mouna Raagam

https://www.smule.com/recording/s-p-balasubrahmaniam-naan-paadum-mouna-raagam/1267362971_3879603275?channel=Copy-Link

Sri Ranga Ranga Nathanin – Mahanadhi

https://www.smule.com/recording/kamalhassan-suganya-sri-ranga-ranga-nathanin-mahanadhi/2479693808_3871489587?channel=Copy-Link

ninnindalE

https://www.smule.com/recording/skcworldwide-ninnindale-hq/2435216981_3710346738?channel=Copy-Link

En Jeevan

https://www.smule.com/recording/hariharan-saindhavi-vaikom-vijayalakshmi-en-jeevan/1981697216_3553820619?channel=Copy-Link

Salaam-e-ishq Meri Jaan | Muqadar Ka Sikander

https://www.smule.com/recording/lata-mangeshkar-and-kishore-kumar-salaam-e-ishq-meri-jaan-muqadar-ka-sikander/1497043664_3666001657?channel=Copy-Link

ENDNOTES

When we are reaching the finish line here, Sriram is a talent that went through a journey of self re-discovery that no one have described so far. Once when he found his comfort singing songs with like minded friends his talent blossomed like a wild flower. We saw that talent come out live through the Smule. And that is why we think that Sriram require a place among our noted profiles. Very fitting place for a great singing talent. We wish him all the best in his future and hope this small recognition makes him work harder to become a better singer everyday. All the best SriRam.

Sai Harika Punyamurthula- A superb singing to reckon with

INTRODUCTION

Another long-delayed feature. Sai Harika’s profile is supported by peers Harika Peddibhotla and Swapnil Gorey. A great endorsement from two of our esteemed talents in our peer list brings here a fantastic talent to our page. More to say about Sai Harika is her amazing enthusiasm for good music and hard work in making songs for this feature although a very slow process, that finally came to a happy ending of publishing this feature here. We are more than happy to have her profile into a very esteemed line of profiles that we featured so far. Here is a very short description of her musical life as told to you all from Sai Harika herself.

Please introduce yourself briefly with special references to your music

“My full name is Sai Harika Punyamurthula. I am a Computer Science graduate and currently working as an IT professional in an ad-tech company in Boston, Massachusetts USA. I grew up in a small town called Bhilai in Chattisgarh, India which is where I did my important years of schooling from. My real native place is Rajahmundry in Andhra Pradesh although I never lived there. Music has been an eternal part of my life and I truly believe music is the key to anybody’s heart. I used to learn Hindustani music as a kid in Bhilai and after a long gap, I have started learning music again now over here in Boston. I am currently learning Hindustani vocals from the Creative Academy of Arts in Burlington, MA. The journey has only begun and I’m super excited to see where life takes me! I truly believe ‘once a musician, always a musician’ and no one can ever take that away from me. Music is rejuvenating to me. Smule has been my best friend since I have known about it, especially even more during quarantine. I feel it has reinforced my interest in music.” 

Your earliest memories of your interactions with music as a child, all the small things that made you start singing.

My mom wanted me and my sister to learn Indian classical music since I was 3 years old. She says she saw a singer in me when I was 2 years old and she was surprised how clearly I sang the lyrics ‘Ganga Jatadhara Gauri Shankara Girija Mana Ramana‘, which is a popular bhajan. My mom always used to search for a music teacher for us whenever we moved to a new place. I am thankful that she saw something in me and for channeling it in the right direction. I started learning Carnatic when I was probably around 4 years old in a town (Rayagada) in Odisha and I still remember that my Guruji used to ask me to play the harmonium during the classes along with him. I used to repeat after him. 

Later when we moved to Bhilai, that is when I found my first Hindustani music guru and I learned professionally under her for 4+ years. I also gave the ABGMV (Akhil Bharatiya Gandharva Mahavidyalaya) exams for 3 years until (Praveshika Pratham, Praveshika Purna, and Madhyama Pratham). I have started to learn from scratch and it only got better from there.

Who influenced you the most as a child as far as your music interests and talents?

“My interest in music is not just my own sculpting but also many music enthusiasts around me. They always wanted my sister and me, to learn music and believed in our talents. My mother-in-law has been very encouraging and she appreciates music, believes that I could be a professional singer. I have recently started watching performances of Srimati Kaushiki Chakraborty and I’m totally in awe of her! I am personally a huge fan of A.R. Rahman sir and K.S. Chitra. I feel Chitra has a golden voice that never grows old and I love how humble she is. There is a lot of unexplored music for me like Rafi Sahab, Kishoreda’s hits. I would love to expand my knowledge of some of the golden oldies. Of late I have been obsessed with some old Lata Mangeshkar and Asha Bhonsle melodies and am also working to increase my knowledge base of old songs.” 

Describe all your Classical music expertise and detailed descriptions of your Gurus etc

“Although, I have been singing movie songs ever since I was probably 3 years old. I must also compare to many in the music field, I don’t have much expertise in classical music. I have never taken music professionally. I started learning Hindustani classical vocals when I was around 10 years old and continued to learn for 4 years. I gave the ABGMV exams for 3 years until Madhayama Pratham. (Wish I had continued to get Visharad). Currently, I have started to learn from the beginning again as it has been years since I practiced Classical music. Thanks to Smule, I realized how much I missed classical music and joined classes again at this stage of my life.”

How does the transition from Classical music singing to pop music to playback happen? If so, what influences? 

“I haven’t experienced playback singing so far so cannot comment on what the transition feels like. But, I truly believe that classical music forms a solid foundation for any singer, and practicing classical music helps in pitching and riyaz surely is a form of a vocal gym that every singer should be doing.” 

Could you tell us in detail all your stages from School to college and how your music evolved?

“I was always a participant in school singing competitions, annual day performances, daily assembly choir groups for the daily prayers. I had won prizes for several performances in school. I sang the song “Prabhu Tere Naam” from the movie “Hum Dono” for my first ever school solo singing competition. I grew up in a township and I was a regular performer for all the township festival celebrations. I also sang inaugural prayer songs on several occasions in my Undergrad university. In 2017 I was a finalist in IACA – Atlanta Indian Idol, Atlanta, GA. Listen to my audition on the show below.”

It was the best stage experience I ever had. It wasn’t the perfect performance but each stage experience has taught me something new. The competition finale was in an auditorium at Georgia State University and it was super exciting to be on stage with several other amazing singers. I was recently a part of Smule One India 100 hours live jam event and hosted an hour of the show. This was a great opportunity to sing alongside such amazing talent on Smule.” 

A most memorable moment in your music life 

“The most memorable music memory is yet to be made! I still have to work towards fulfilling my wish of recording in a studio with professionals. But, the Atlanta Indian Idol gave me the best impression so far about what stage performance will feel like. Currently, I’m participating in a virtual singing competition (Telugu) organized by a group called “Talent Falcons”. Carnatic Vocalist & Music Teacher Sri D.V. Mohana Krishna Garu, music director R.P. Patnaik Garu, and singer Smt. Sumangali Garu is the honorable judge. I have reached the Quarterfinals and am hoping to give my best shot going further as well. First-round link here. The time in the video play to hear Harika is 4.00 minutes approximately. An awesome live performance.”

What exactly does your music mean to you? 

“Music is now not just a hobby but it’s something I cannot imagine my life without. It’s absolutely revitalizing and brightens my everyday life. Being able to sing on Smule has been a blessing during the pandemic. With years passing, I understood the importance of music and my interest has only kept growing.”

Your views about the general landscape of India’s classical music? 

“The two forms of classical music in India – Hindustani and Carnatic are both well known in India. In my opinion, most people are yet to discover the magic of Indian Classical music and I wish classical music receives more appreciation than it ever has in the past. People should not let it fade away! In addition to that, each of these classical music forms has always been more relatable and practiced by their respective regions: Hindustani popular in North India and Carnatic in South India. I wish they were not limited to their regions and people all across India are exposed to each of these forms. I am no different and haven’t fully experienced Carnatic music yet!”.

Your thoughts about popular music or film music or generally about Telugu regional music?

I have grown up singing bollywood music and Telugu movie songs. I love Indian music in general and I very rarely listen to Western music. I feel like Bollywood/Tollywood music speaks to me the most and they have songs for every occasion. I feel a classical music foundation helps a lot to be able to sing them with perfect pitching and be able to do all the ‘harkatein’/‘gamakas’. 

World music and other language music of India

India is known for its cultural diversity and the same way Indian music comprises several genres. Pop music, film music, classical music, regional music, folk music, etc. I think western music is slowly gaining popularity. Especially, youth in India are surely listening to global music/metal/jazz, etc. I personally haven’t explored these yet. 

Social responsibility for an Artist, what do you think about it? 

Not just as an Artist but as any other individual I do feel socially responsible in terms of all the actions I take be it posting or promoting appropriate content on social media etc. Music has the potential to reach millions of people and therefore every musician must be very mindful of their acts and try to produce art that has a positive impact on society. 

If you are a socially responsible artist will you take a stand if you can influence the decisions taken at political or other levels? 

I will certainly give such matters careful consideration especially if my decisions or actions can create a positive impact on society. 

Do you pay attention to the lyrics and meaning of songs? Do you think they are important for music? If yes then why? 

Yes, 100%. I definitely get influenced by the lyrics and meaning of songs. A song with touching lyrics speaks more to me. I like soft music and I believe that lyrics can make or break a song! For me personally, if lyrics are meaningless the song wouldn’t touch the heart. Lyrics can make a song evergreen! 

What career ambitions do you have in music. Then how are you planning to achieve it? 

I haven’t given serious thought ever to making music my career or to take it professionally. I am now focusing on learning and will be more than happy to take any good opportunity that comes my way. I want to record at least one song in a studio. For now, I need to focus on Hindustani music and get into the habit of doing riyaz regularly to become a better singer.

If a marriage comes will you give up on a very prospective career in music?

 I’m already married and have a super supporting husband. He loves classical music too and he appreciates music a lot. Not just him but my in-laws are extremely supportive as well 🙂 I’m lucky to have them in my life! 

Where do you see yourself in five years from now in your music? 

I want to continue to learn and hopefully with no breaks. Thanks to Smule and these online platforms; singers like me have good opportunities to keep our hobby active and collaborate with some amazing talent. Let’s see if my dream of recording in a professional studio comes true haha. 

Now it is time to list all your favorite musicians 

Carnatic male-female – haven’t heard a lot but Dr. M.Balamuralikrishna Garu, M.S. Subbalakshmi Garu, Hindustani – Pandit Ajay Chakraborty and recently started listening to Kaushiki Chakraborthy, Shankar Mahadevan 

Playback -Telugu, Hindi any other – Telugu – S.P.B, Karthik, K.S.Chitra, Shreya Ghoshal, Sonu Nigam, Alka Yagnik to name a few.

Music directors – A.R.Rahman (a huge fan of him), Shankar Mahadevan. 4) genre of music – love classical but my go-to music is Bollywood music. Prefer melodies and soft music. 

Do you do any sports? If so which one? if not what other hobbies do you have? 

I’m not a sports person I must say. I do work out regularly and practice yoga and meditation. I like playing board games with friends! 

Let us without delay listen to some of the songs just made for this feature by Sai Harika

Song: Kehna Hi kya Album: Bombay Singer: K.S. Chitra Music Director: A.R. Rahman Lyricist: Mehboob Kotwal

Song Title: Seetharama Charitham (Telugu) Movie: Sri Rama Rajyam Singer: Anitha Karthikeyan, Keerthana Music Director: Illayraja Lyrics: Jonnavithula Ramalingeswara Rao A collaboration with P.V. Harika

Song : Latt Uljhe Album : Bandish Bandits Singer : Shreeya Sondur Musician :Shankar Ehsaan Loy

Song : Raat Hamari To Album : Parineeta (2005) Singer : K.S. Chitra Musician : Shantanu MoitraLyricist : Swanand Kirkire

Song : Sunn Bhavara Album : Ok JaanunSinger : Shashaa TirupathinMusician : A.R. RahmanLyricist : Gulzar

Song : Kita Kita Thalupulu (telugu)Album : Manasantha NuvveSinger : K.S. ChitraMusician : R.P. PatnaikLyricist : Siri Vennela Seetarma Sastry

Song : Chori Chori jab nazrein mili Album : Kareeb Singer : Kumar Sanu, Sanjeevani Musician: Anu Malik

A collaboration with Abhilash7 on Smule 🙂 

ENDNOTES

Can not say anything better than this for a singer whose songs talk more than what we can write about. Sai Harika’s Smule is an outstanding profile with music that conveys to her followers. We wish her all the best in her musical journey that began from a very young age itself. She continues to be singing on Smule and please follow her profile here.