Introduction
Bangladesh and its music is an integral part of India’s music. The influences of both countries and the music is a subject of discussion this upcoming two weeks with focus on two representative singers from this region who sing on Smule. Bangladesh and its music is influenced by north Indian ragas, especially the influences from the state of West Bengal and its Bishnupur Gharana style of singing . The other styles of music this region imbibed a lot from the neighbor state of West Bengal that need a great mention here is Baul style of music which is performed by Bauls (mystic saints), who are seen with an ektara and characteristic styles of singing which is a mix of Sufism and sahaja. The songs are created by the saints as they sing and they pour their emotions and thoughts while they sing. These traditions are transferred orally and never written into books or accounts. The following video links are few of the accounts by westerners on Baul life and style of singing.
A greater influence of Nazrul geeti (songs composed by Kazi Nazrul Islam) and Rabindra sangeet is an important factor of highlight in these features where both the singers that featured are highly influenced by these two legendary poets and influences on both cultures of West Bengal and Bangladesh. We are very happy to present to you all the very first young featured female singer from Bangladesh, Smule Raian-E-Jannat (Ananta). The following is an interview with her that shed light to a vibrant Bangladesh Smule community. Hope this gives a lot of encouragement to many singers in Bangladesh to get involved more in group activities and make a stronger Smule community. Bangladesh needs a verified Smule group that they can enjoy a recognized group profile. Many thanks to our peers from this region especially Yugal Shresta for introduction and Karthik Jayaraman for chaperoning the songs selections and preparations. Subhajit Chatterjee for a constant support for screening singers from regions of South Asia that we are not able to understand well. We are so proud to present here Raian-E-Jannat a fanatastic talent from this region as our very first pick to represent Bangladesh.
Raian-E-Jannat (Ananta)
Briefly Introduce yourself
“I am Raian-E-Jannat (Ananta). On Smule, I am known as ‘Zann’. I am a teacher by profession and a singer by heart. I am from the great capital city of Dhaka, Bangladesh. My family includes my ammu, abbu (mom and dad), two sisters and an elder brother. I want to say that I live in the world of music, where I have all kinds of tunes ringing in my ears constantly. Music became a best friend since my childhood. I generally like every kind of melody. Rabindrasangeet holds a special place in my heart.”
Please describe your music, growing up, why music became a part of your life? How your family, friends, teachers found about your music talent
From the time I started understanding things around me, I remember, music was amongst those few things that captivated me the most. I was totally enamored by its enigma! My music is a blessing in disguise. I must say all thanks to my family. When there was no Television and cable channels music used to be a privileged form of entertainment just like Television is now.. Nothing could really pose as a hindrance to listening and experiencing music back then. My ammu, abbu, bhaiya and my maternal uncle – they were the emissaries of different tastes of music. The aromas of Rabindrasangeet, film music by Lata Ji, Manna Dey and A. R. Rahman’s music used to be in every nook and corner of my house, all day! That’s the kind of ambience I was lucky enough to experience. Thus, music became an indispensable part of me.”
Our soul is our true essence. Music is my soul. It didn’t take too long for me to realise this gift. It was kind of discovering my talent myself as my voice was becoming more and more capable of singing more challenges. I recall clearly those days, when I could effortlessly sing various numbers of Lata Ji, Alka ji and Shreya Ji by imitating their singing. My friends and relatives often used to be so fascinated by my singing capability! All these made me realise more deeply my music.”
What is music to you? or What it means to you?
“For me music is like air to life.. I believe that the day there is no music in my life and my breathing would definitely stop! Music is certainly my Life!”
Are you classically trained? if not what is your thoughts on the importance of it
I didn’t learn classical music ever, so I can’t call myself ‘classically trained’. But I have always been keen on learning classical music. Somehow, it did not happen. On the other hand, I have learned Nazrul Geeti and Rabindra Sangeet for a few years. I’ve realised that, It indeed is very important to be classically trained, if someone wants to pursue music, but the mind needs to be trained for music in the first place, which in my opinion, is more important to have. Since music is connected to the mind and soul, singing from within, is what, it’s all about!
Smule, how did you start on this app?
A few years back I got to know about Smule from friends and plunged into the world of it! I found my confidence, my dreams, my happiness and a lot of amazing people there.
What is your take on lyrics in the music? Your thoughts…
The lyrical part of a musical piece is absolutely the foundation! The words, the lines, the artistry of penning down the feelings, are the things, that contribute highly in a making a song, relevant for decades! Like, the lines -“Jo Tum Ho Toh Hawa Mein Bhi Mohabbaton Ka Rang Hai“….make me fall in love with it, every time I listen to it! Or “Jise Tu Gungunaye Meri Dhun Hai Wahin” or, ‘Jeena bhoole the kahaan yaad nehi,Tujhko paya hai jahan saans phir aayi wahin‘ – how beautifully composed these lines are! Melody is indeed the backbone, but it’s the lyrical brilliance, that helps me escape my prison of thoughts! “
Growing up in Dhaka how the music of the capital city influenced your music?
Music is definitely influenced by its country of origin. Music is different in different places. Since I live in Bangladesh, my taste of music is very much influenced by the songs and writings of Kazi Nazrul Islam, the national poet of our country. We also have legendary folk music (Baul). It’s the music of the soil! if you listen to it, you’ll surely be transported to another world of realization. Since my hometown is Sylhet, folk music of Sylhet district is so close to my heart. Its richness is flowing through my veins. Shah Abdul Karim is my favorite musician of the folk genre.
Typical Baul singing
Runa Laila, Rezwana Choudhury Bonya, James, LRB are very famous and are amongst my favorite singers/artists of our country….I am absolutely fascinated by their aura of singing!
What are your career ambitions with music?
I didn’t think of taking music as my career ever! It is my passion. I sing for my joy! I sing in freedom! But I’d like to be a playback artist if I have to take it as a profession, or I’d open a music school for the underprivileged children. So that I can share as much musical knowledge as I can with them!
In five years from now where do you see yourself and your music should be?
In five years from now, I want to see myself musically more enriched, and my dream is to learn all Rabindra Sangeets from the book, Geetabitan, and I do want this dream to come true after five years.
List all your music interests, genres, male/female singers both hindi and regional languages, music directors etc
As I have mentioned very beginning,, Rabindra Sangeet is something, which I share the closest proximity with. But old classics, ghazals, soft rock, 90’s melodies, raaga music are favorites. My favorite male singers from Hindi are – Kishore Kumar ji, Sir Manna dey, Mohammad Rafi ji, Jagjit Singh, Arijit Singh, Ghulam Ali, Udit Narayan, Mohit Chouhan. Female: Lata Mangeshkar ji, Alka Yugnik ji, Shreya Ghoshal, Kavita Krishnamurti, Madhushri, and K.S Chithra. Bengali male: Rupankar Bagchi, Rupam Islam, Anupam Roy, Arijit Singh, Anjan Dutta, James, Srikanta Achariya. Bengali Female: Indrani sen, Jayati Chakraborty, Shreya Ghoshal, Samlata Achariya, Runa Laila, Rezwana Choudhury Bonna. Music directors: Salil Chowdhury, AR Rahman, Amit Trivedi, Shantonu Maitra, Anupam Roy, Anu Mallik.
Please tell us more about Nazrul geeti if you can. (The following is a contribution from this singer about a very unique music form from West Bengal and Bangladesh).
“Kaji Nazrul Islam was born on 25th May, 1899 at Churulia in Asansol of West Bengal. He began writing as a young boy and was deeply attracted to the traditions of bardic (চারণ কবি) and folk poetry of rural Bengal, especially around his village Churulia near present day Asansol. The outbreak of World War I, forced his fortune to join the British Army in 1917, where he worked as a quartermaster and during this period he studied classical Persian poets like Hafiz and Rumi.
After having come back from the Army, Nazrul decided to pursue his career in journalism and joined the movement for India’s freedom. His rebellious nature and radical poetry landed him in prison many times but this did not dampen his spirit.
On hearing about the death of Rabindranath Tagore on 8 August 1941, a shocked Nazrul composed two poems in Tagore’s memory. One of the two poems, “Rabihara” (loss of Rabi, or without Rabi), was broadcast on the All India Radio. Within months, Nazrul himself fell ill and gradually began losing his power of speech. His behaviour became erratic, he started spending recklessly and fell into financial difficulties. Having suffered for a long time, Nazrul succumbed to his long-standing ailments on 29 August 1976. In accordance with a wish he had expressed in one of his poems, he was buried beside a mosque on the campus of the University of Dhaka. Tens of thousands of people attended his funeral; Bangladesh observed two days of national mourning, and the parliament of India observed a minute of silence in his honour.
Within the span of his creative life, he composed about four thousand songs apart from other literary and journalistic works. His revolutionary works and ardent spirit encouraged and inspired the nation greatly and he became an icon of the Bangladesh Liberation War in 1971.
His songs changed from the rebellious to religious explorations at a later stage. He delved deep in both Hindu and Islamic practices and extensively composed over five hundred devotional songs extolling Kali, Shiva, Krishna, Saraswati along with the infinite Brahma and Shakti, the primordial energy.”
How I nurtured my love for Nazrul Geeti
I’ve always believed in the transforming power of Music. Fortunately, I was exposed to a wide range of music at a very early age. I took no time in realising that, each and every genre has its own aroma. Nazrul Geeti was something, which I made friends with, at the very beginning of my ‘Explore Music’ journey.
Even though, Tagore is most actively worshipped in West Bengal, India, the adoration and admiration for Kazi Nazrul Islam is no less for me. Emotions played a vital role in developing admiration for Kaji Nazrul’s versatility. I was attracted to exploring his works more and more, as they demanded a different texture, a different base and tonality altogether. Many of his songs are the expression of pathos, through melody.
Slowly, I dive deep to delve into the melancholy and poignancy of Nazrul Geeti.
All are overshadowed by Tagore’s imposing persona; but not Nazrul. In fact, Tagore used to admire this rebel poet, many years younger to him. The essence and inwardness of NazrulGeeti captivated me. It was the panacea for my tired soul. At the same time, NazrulGeeti is demanding. I realized it, while attempting to sing one. NazrulGeeti is raga-centric. The lyrics are in a class by themselves and adorned with different types of alankaras.
For a singer like me, who wants holistic enjoyment, combining musical beauty with literary beauty, getting engrossed in the notes of NazrulGeeti is a boundless joy.
I’d love to recollect a moment.
It was a beautiful moonlit night with an eerie quietness surrounding me. I was sitting on the balcony, with the city lights in the distance. I felt the cold breeze with a tantalizing floral scent, waft of it, blow across my face, weaving its gentle fingers on me. A magical melody was being played from my room –
Raian-E-Jannat (Ananta)
‘Aaji akashe batashe kanakani
Jage bone bone nobo fulero bani
Aaji amar kotha jeno bolite pai…’
‘Whispers are heard in the sky and in the wind
The floral messages are heard in the woods
Let me speak out my heart this day.’
And, I closed my eyes and was transported to a different realm of infinite joy!
That tells volumes about Jannat and her music. Now is the time to listen to some songs of Raian-E-Jannat from Smule. Listen for sure.
A Nazrul geeti from a singer whose heart lives in world of Nazrul geeti and Rabindra Sangeet
With a super talent Aalapan Bowmik
Youtube channel link of Raian-E-Jannat is here.
https://youtube.com/channel/UC0vQaAzV9oGK5PxVH-pb8dw
END NOTES
The entire experience of knowing more about Bangladesh and its music scene was such an education and challenge in many ways. Lots of friends from this South Asian nation is an asset to our India community and is a happy moment to have written two features on singers from there. All the peers who helped achieve this is acknowledged.
Few words about both the singers. Jannat and Rahul (see associated feature), both are such great talents to know. Jannat whose enthusiasm for good singing is infectious. Her collaborative nature and high intelligence is so appreciated. Her patience with this process where she helped co-write this article is acknowledged. Her enthusiasm for Rabindra Sangit and Nazrul geeti was so pivotal as her selection for the very first Bangladesh featured artist position from entire Bangladesh community; this indeed was a real competed decision and applauded.
Rahul is an on-stage performer and is very enterprising and have all needed talent to take it to the next level. We are looking forward to him develop into a performing artist. He is big into live on-stage sessions and we wish his band a huge success.
Documentary The Way of Baul
This is a very happy moment in our community to have these friends join us on this journey of knowing music.